It’s been a real pleasure and a privilege to draw and illustrate maps for a friend’s forthcoming book proposal. The book is about coastal communities that manage their marine resources in sustainable ways. It was a pretty excting and positive read. Fingers crossed that it finds a publisher!
Meanwhile, here are some sketch versions of the illustrations. They’re done in nib and ink. Just imagine the book that includes puffins, otters, coral reefs, electronic fish quota swaps, a successful protest movement 40 years ago for the right to access the coast, whales, and seafood harvesting. You want to read it right? Yes!!
More mussel harvesting
These guys were watching us visit the beekeeping centre. They work for ADHENO, but Tarike is the kebede (village) manager.
The All We Can partnership conference involved a field trip to two of their Ethiopian partner organsations. I went to ADHENO’s project where they’ve spent twelve years developing conservation agriculture and reforestation. We saw beekeeping, the fuel-efficient stove workshop and the church where the project began. A great day with great people.
Elite ladies with expensive fashions in a city café. Sketch made with a nib and ink bottle – makes for a nice ‘live’ line.
This sketch was inspired by some hairdressers we interviewed in 2012 in Mirerani in Tanzania. Mirerani is a frontier-flavour mining town – the origin of all the world’s tanzanite, a precious stone. Our partner organisation was finding out about the social impacts of the tanzanite companies – and small-scale miners. Our interview with some women at the hairdressing salon turned into a major streetside spectacle.
Seven Survivor is a Tanzanian band who play the urban music mchiriku. This is a sketch from a gig of theirs in November 2013. (Another famous mchiriku band is Jagwa Music.) Mchiriku is a frenetic genre based on high-octane staccato drumming. The rest of the instruments and the rapping seem almost secondary to the drumming, which sounds as if the drummer is on speed; or as if he’s anticipating the end of the world any second and is trying to fit in a lifetime of drumming into a few short minutes. The pace and intensity of the drums ebbs and flows but never falls below ‘feverish’. It’s a rhythm that you can only dance to by jumping up and down, but you’d have to do that very quickly – almost vibrating! – to keep pace with the drums. The band also featured a lethargic mini-Casio keyboard player; a rapper (the lyrics are political and worth getting into), another percussionist using sturdy sticks on a small coffee table, and a guy shaking home-made maracas made with nailed-together bottle tops. Here’s a link to one of their gigs. And the main man – the drummer – was in some sort of trance with his head thrown as far back as possible. You’d need to really be at one with the flow to manage to keep that level of intensity going for hours.