A sketch for something bigger…
A sketch for something bigger…
I’ve tried my own medicine and coloured another one of the bible stories from the young people’s Bible knowledge book I drew picture for last year. Jesus is having coffee and cake with Zacchaeus and his wife.
The fun part of colouring is that you can rejoice in sofa upholstery that you’d never allow into your own house.
Cheered up a promotional notebook from Codebus Africa with some iterative doodles.
More croquis from the EZLN International Festival for Women who Fight! (Although the verb luchar in Spanish in this case means “struggle” as in “the ideological struggle” , rather than actually fighting. It also means wrestling, as in lucha libre. Fun with etymology.)
I drew these women during a really confused lecture on “Dismantling The Man into Things”. Hence the sceptical faces.
More sketches from the women´s encounter in March.
I drew these during talks on masculinity in childhood (halfway through which two boys in the audience started shooting us with imaginary pistols) and on social organization as love. There was a whooooole range of talks, some weirder than the rest…
These croquis are of varying quality depending on how still the “model” was and how much time I had to draw her. I chose faces that interest me.
7000 women make a noise like a low-frequency beehive. Every morning when we crawled out of our tents in the freezing, clear air, the hum was already going and it kept getting stronger as more people woke up and started looking for breakfast. The festival was organized by the Zapatista movement and hosted by Caracol 4 in Morelia. Nobody knew quite what to expect. I arrived with a contingent from Ama-Awa, the women agroecologists, carrying tents, food and water for three days. We were pleasantly surprised to find abundant flushing toilets, food outlets (although the queues did stretch out), showers and drinking water taps… all without the presence of a single man. And no alcohol either. My friend’s ten-year-old daughter could attend any session she liked without her mum having to worry. And there was plenty to choose from, ranging from lectures on land rights, Indigenous lesbianism, masculinity in childhood to art, dance and theatre and workshops for making reusable menstrual pads. And a Colombian batucada.
I sketched participants during the lectures, amazed at the sheer range of women there… tall, short, skinny, round, old, young, lawyers, hippies, gorgeous, ugly, of all colours, made-up and rolled-out-of-bed. Here are some of them.
History of the festival: http://luchadoras.mx/mujeres-zapatistas/
Amazing photos by Trasluz photographers
This was just one of the hardcore women who brought their babies to the event and stood with them in the hot sun for hours during the first day’s plays. Wearing layers of heavy clothing and knitted black balaclavas.
The book whose cover I drew, “Mujeres Situdas: Las Parteras Autónomas en México” is out now on Amazon! Go ahead and buy!
Would you buy a multi-coloured felt cow with goggly orange-rimmed eyes? Of course! They are endearing! These marvels of creativity are sold by scores of handicraft sellers in San Cristóbal de las Casas in Chiapas, Mexico, and once you start looking, you start noticing how amazing they are. The quality of the felt, the sense of colour combination, the finishing, the creativity… Felt bulls and chickens are classics, and the current fashion is for felt unicorns and Tyrannosaurus Rexes.
More sketches based on people flitting by… a happy man at a ramen restaurant, girls passing the coffee shop in Roma and La Condesa.
I had a little bit more time to draw these: a woman in the juice bar with impeccable makeup… and the tree and bike racks outside.
Sketches from Calle Pedregal around the corner from the embassy. People glimpsed on the street or in the juice bar, me trying to pay attention to the detail in glimpses, without staring, drawing without them noticing…
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Agroecologists listening to a talk about alternative markets and food sovereignty in southern Brazil!
I tested a printout of the colouring-in pictures that got published earlier this year, and this is how it turned out:
I had a go with all my tools: watercolour, aquarelle crayons, conference markers… but ended up sticking just to colour pencils and Stabilo Fineliners.
I’m working on the cover illustration for Hanna Laako’s book about midwives, “Mujeres situadas, la partería autónoma en México”. Coming out soon at an Amazon near you!
I was wearing a sweater against the afternoon wind, but got some sketches of fellow beachgoers…
The week-long carnival in Tenejapa in the Chiapas highlands includes several colorful elements, such as this “chasing of the cow”. The men dress in red ceremonial finery and, among other things, chase a woven-mat “cow” around the town plaza. (Later there’s “chasing the bull” at another plaza, looking exactly the same as “chasing the cow”, but at that event cameras aren’t welcome… so I figured sketchpads aren’t either). It’s a day full of symbolism and prehispanic references and local pride – also lost of whooping at jokes. It’s very contagious and after we left we spent the rest of the day going “i-e-e-e!!”
Nuorille suunnattu kirja “Jumalan Niskalenkissä“, johon tein värityskuvat, on julkaistu! Lasten Keskuksen ja Kirjapajan 85-sivuinen kirja on toimintapaketti seurakunnille, jossa käsitellään Raamatun “vähemmän tunnettuja” tarinoita pelien, meditaatioiden, keskustelujen, kuunnelmien – ja värityskuvien – kautta.
Tarinat tuodaan ajankohtaiseen nuorten elämään. Verenvuototautinen nainen oli aikanaan syrjitty – kuten koulukiusatut. Antaako oma vanhempi minulle anteeksi – kuten tuhlaajapojalle? Mikä saisi nuoren naisen lähtemään anoppinsa matkaan ja jättämään kaiken tuntemansa – kuten Ruut, ja meidän aikojemme pakolaiset?
Kirjassa on myös mielenkiintoista taustatietoa Raamatun teksteistä toiminnan vetäjille. Nautin sekä värityskuvien keksimisestä ja piirtämisestä että muuhun materiaaliin tutustumisesta. Kannattaa investoida €35!
Some sketches from the art festival CompArte at the zapatista centre Caracol Oventic. The festival took place for a week at the campus of CIDECI with concerts, changing art shows, workshops, documentaries and theatre; and at the weekend there were performances at Oventic too.
An intrigueing experience for sure. This time I had a bit more time for sketches as most people stayed put watching the performances of theatre, dance, poetry and music.
The girl band – like all the zapatistas, wearing Indigenous traditional dress and balaclavas – were a riot of energy and power.
As always, people couldn’t resist filming instead of watching. Or, in my case, drawing.
Street scene colouring-in for adults, starting with the street level: shoes of San Cristóbal. Here seen at the solidarity economy fair!