I took my sketchbook to the International Women’s Day march and managed to jot down some 30-second croquis on the hoof.
Whenever I was short on drawing inspiration, I’d add a bit to this jungle scene. This is drawn in a mix of markers and colour pencils.
Sketch of the day: a woman about to start selling deep-fried snacks. She was carrying her stock, hot sauce bottle, trestle and toddler while having a phone conversation. This was in San Cristóbal’s central plaza.
For the past three years I’ve been chipping away at a little project of mine: a colouring book featuring street scenes from San Cristóbal de las Casas in Mexico, the picturesque town I live in. There’s so much detail and colour going on that it’s hard to take much in while we stroll around… apple blossoms peeking over a wall; a house painted in turquoise and peach; Chamula women’s blouse embroidery fashions; a courtyard from the 1500s; a garage opened to sell multicoloured pastries; the breakdance crew at La Merced; street dogs rolled up to sleep; the spectacular piercings of an Argentinian hippie.
With this colouring book, I want to give us fans of Sancris a chance to sit down and contemplate it, one scene at a time. And here we can finally paint a house in magenta and purple.
I’ll be distributing in independent bookshops in Sancris, but if you’d like to order some, drop me an email on firstname.lastname@example.org!
A friend was telling me about the swamps in Argentina and inspired me to draw. Most of the imagery may actually be from the movie Beasts of the Southern Wild.
The London Underground is a neverending flow of interesting faces. These are based on people I watched and recalled afterwards.
An ink sketch of fellow travellers on the beach in Oaxaca.
During a recent visit to Oaxaca I sketched these plants in the courtyard of the Instituto de Artes Gráficas de Oaxaca (IAGO). It’s a beautiful space where people were working and reading… a couple of sketching tourists fit right in.
Quick pencil sketches from a cultural event at Caracol Oventic, one of the civic centres of the Zapatista movement for indigenous autonomy.
Some sketches from the Forest of Dean. Perhaps I’m the only one this fascinated by the curve of the fallen tree trunk.
…both marble and plaster busts, of course. The Royal Academy of Arts has a nice feature – a room where they’ve busted out (ha) (sorry) their old …busts, and made them into a pleasure/education feature by adding benches and free paper and pencils. You can sketch the busts and practice drawing. Or if you’re me, you sketch a few busts, and a few sketchers.
The mauve Uni-Ball is a very unforgiving pen for sketching, especially moving tragets like the bearded art lover. But the HB pencils provided by the museum were even less satisfying when I used them for the readers on the bench.
I was lucky enough to see Paris a while ago, and sketch! It turned out to be a fantastic way to appreciate the art on display at the Musée du Quai Branly. When you draw, you have to watch carefully.
The Café Industrial turned out to have a similar colonial vibe…
Turns out that everyone likes to colour, even Masters students.
A small and delightful project: drawings for the office swap meet (which I’m also organising). My dayjob office is by far the most diverse place I’ve worked, but there are still subcategories of colleague. So I wanted to draw people who’d look like real colleagues… but not exactly like any one colleague. I think one or two (or three) did end up being very close to real individuals. I’ll see if they spot themselves!
A sketch for something bigger…
I’ve tried my own medicine and coloured another one of the bible stories from the young people’s Bible knowledge book I drew picture for last year. Jesus is having coffee and cake with Zacchaeus and his wife.
The fun part of colouring is that you can rejoice in sofa upholstery that you’d never allow into your own house.
Cheered up two promotional notebooks from Codebus Africa with some iterative doodles.
More croquis from the EZLN International Festival for Women who Fight! (Although the verb luchar in Spanish in this case means “struggle” as in “the ideological struggle” , rather than actually fighting. It also means wrestling, as in lucha libre. Fun with etymology.)
I drew these women during a really confused lecture on “Dismantling The Man into Things”. Hence the sceptical faces.
More sketches from the women´s encounter in March.
I drew these during talks on masculinity in childhood (halfway through which two boys in the audience started shooting us with imaginary pistols) and on social organization as love. There was a whooooole range of talks, some weirder than the rest…
These croquis are of varying quality depending on how still the “model” was and how much time I had to draw her. I chose faces that interest me.
7000 women make a noise like a low-frequency beehive. Every morning when we crawled out of our tents in the freezing, clear air, the hum was already going and it kept getting stronger as more people woke up and started looking for breakfast. The festival was organized by the Zapatista movement and hosted by Caracol 4 in Morelia. Nobody knew quite what to expect. I arrived with a contingent from Ama-Awa, the women agroecologists, carrying tents, food and water for three days. We were pleasantly surprised to find abundant flushing toilets, food outlets (although the queues did stretch out), showers and drinking water taps… all without the presence of a single man. And no alcohol either. My friend’s ten-year-old daughter could attend any session she liked without her mum having to worry. And there was plenty to choose from, ranging from lectures on land rights, Indigenous lesbianism, masculinity in childhood to art, dance and theatre and workshops for making reusable menstrual pads. And a Colombian batucada.
I sketched participants during the lectures, amazed at the sheer range of women there… tall, short, skinny, round, old, young, lawyers, hippies, gorgeous, ugly, of all colours, made-up and rolled-out-of-bed. Here are some of them.
History of the festival: http://luchadoras.mx/mujeres-zapatistas/
Amazing photos by Trasluz photographers
This was just one of the hardcore women who brought their babies to the event and stood with them in the hot sun for hours during the first day’s plays. Wearing layers of heavy clothing and knitted black balaclavas.
The book whose cover I drew, “Mujeres Situdas: Las Parteras Autónomas en México” is out now on Amazon! Go ahead and buy!
Would you buy a multi-coloured felt cow with goggly orange-rimmed eyes? Of course! They are endearing! These marvels of creativity are sold by scores of handicraft sellers in San Cristóbal de las Casas in Chiapas, Mexico, and once you start looking, you start noticing how amazing they are. The quality of the felt, the sense of colour combination, the finishing, the creativity… Felt bulls and chickens are classics, and the current fashion is for felt unicorns and Tyrannosaurus Rexes.
More sketches based on people flitting by… a happy man at a ramen restaurant, girls passing the coffee shop in Roma and La Condesa.
I had a little bit more time to draw these: a woman in the juice bar with impeccable makeup… and the tree and bike racks outside.
Sketches from Calle Pedregal around the corner from the embassy. People glimpsed on the street or in the juice bar, me trying to pay attention to the detail in glimpses, without staring, drawing without them noticing…
Agroecologists listening to a talk about alternative markets and food sovereignty in southern Brazil!
I tested a printout of the colouring-in pictures that got published earlier this year, and this is how it turned out:
I had a go with all my tools: watercolour, aquarelle crayons, conference markers… but ended up sticking just to colour pencils and Stabilo Fineliners.
I’m working on the cover illustration for Hanna Laako’s book about midwives, “Mujeres situadas, la partería autónoma en México”. Coming out soon at an Amazon near you!
I was wearing a sweater against the afternoon wind, but got some sketches of fellow beachgoers…
The week-long carnival in Tenejapa in the Chiapas highlands includes several colorful elements, such as this “chasing of the cow”. The men dress in red ceremonial finery and, among other things, chase a woven-mat “cow” around the town plaza. (Later there’s “chasing the bull” at another plaza, looking exactly the same as “chasing the cow”, but at that event cameras aren’t welcome… so I figured sketchpads aren’t either). It’s a day full of symbolism and prehispanic references and local pride – also lost of whooping at jokes. It’s very contagious and after we left we spent the rest of the day going “i-e-e-e!!”
Nuorille suunnattu kirja “Jumalan Niskalenkissä“, johon tein värityskuvat, on julkaistu! Lasten Keskuksen ja Kirjapajan 85-sivuinen kirja on toimintapaketti seurakunnille, jossa käsitellään Raamatun “vähemmän tunnettuja” tarinoita pelien, meditaatioiden, keskustelujen, kuunnelmien – ja värityskuvien – kautta.
Tarinat tuodaan ajankohtaiseen nuorten elämään. Verenvuototautinen nainen oli aikanaan syrjitty – kuten koulukiusatut. Antaako oma vanhempi minulle anteeksi – kuten tuhlaajapojalle? Mikä saisi nuoren naisen lähtemään anoppinsa matkaan ja jättämään kaiken tuntemansa – kuten Ruut, ja meidän aikojemme pakolaiset?
Kirjassa on myös mielenkiintoista taustatietoa Raamatun teksteistä toiminnan vetäjille. Nautin sekä värityskuvien keksimisestä ja piirtämisestä että muuhun materiaaliin tutustumisesta. Kannattaa investoida €35!
Some sketches from the art festival CompArte at the zapatista centre Caracol Oventic. The festival took place for a week at the campus of CIDECI with concerts, changing art shows, workshops, documentaries and theatre; and at the weekend there were performances at Oventic too.
An intrigueing experience for sure. This time I had a bit more time for sketches as most people stayed put watching the performances of theatre, dance, poetry and music.
The girl band – like all the zapatistas, wearing Indigenous traditional dress and balaclavas – were a riot of energy and power.
As always, people couldn’t resist filming instead of watching. Or, in my case, drawing.
Street scene colouring-in for adults, starting with the street level: shoes of San Cristóbal. Here seen at the solidarity economy fair!
I was waiting for someone outside a mall in eastern Turkey and started noticing the women’s fashion, specifically the clothes of the ones following an Islamic dresscode with hair and limbs covered (lots dressed in the same way as women in secular places). At a first glance they all looked like they followed the same dress code: headscarf tucked in, overcoat buttoned over dress. But it quickly became apparent that the details matter. Older, more conservative-looking women had the ends of their scarf hanging down under their chin, younger and trendier ones tucked the ends into the scarf. Some had cardigans, others that strange overcoat with a double row of buttons, some floaty long vests. Skinny jeans and ballerinas were much in evidence. Muslim dresscode – here’s yet another example of how it’s not an oppressive imposition. Here are my three-second croquis done standing up in a little notebook.
More ink and nib work: people on the streets of Mexico.
I took a pile of my colouring-in pictures to a work party recently, reasoning that not everyone would like to join the bachata class or read a poem and this could be a nice activity for the less extroverted of us. It worked a treat! The table with the pictures and box of coloured pencils quickly became a centre for chatting and colouring.
I was also surprised over how different everybody’s style was. Antonio started by colouring the whole elephant an even grey, according to me the most boring part of the picture. Lupe coloured all the shoes and was the only one who finished in the sense of covering her whole picture in colour. Giovanna added patterns and psychedelic details to the forest scene. Both she and José Luis gave the little girl in the picture a green or blue elf skin tone. I think this could be a hit at other events too.
From my sketchbook: some Mexican street images.
It’s been a real pleasure and a privilege to draw and illustrate maps for a friend’s forthcoming book proposal. The book is about coastal communities that manage their marine resources in sustainable ways. It was a pretty excting and positive read. Fingers crossed that it finds a publisher!
Meanwhile, here are some sketch versions of the illustrations. They’re done in nib and ink. Just imagine the book that includes puffins, otters, coral reefs, electronic fish quota swaps, a successful protest movement 40 years ago for the right to access the coast, whales, and seafood harvesting. You want to read it right? Yes!!
Done as part of a Valentine’s day postprandial drawathon. The guests’ productions (below) were considerably funnier.
A Mexican street scene: one of the guys selling toasted snacks, peanuts and grasshoppers (chapulines) with lemon and hot sauce. (In addition to people selling macadamia nuts, creamy pastries, shoeshine services, oranges whole, peeled or juiced, cotton candy etc… and I haven’t even mentioned the textiles or child labour)
This guy was one of the least enthusiastic salesmen I’ve ever seen, and I’ve lived in African controlled economies.
Some Turkish street scenes! Dried fruit, Turkish coffee, football stripes…
I’ve got an exciting commission coming up for the Evangelical Lutheran Association for Youth in Finland, Nuorten Keskus: colouring-in pictures for young people based on biblical stories, to form part of a multimedia activity book called “Painiva Jumala”, “The wrestling God”. The book will come out in 2017 on Kirjapaja but they already needed the image for the cover: Jacob wrestling the Angel.
This is a pretty inconclusive and ambiguous story of how an anonymous person challenges Jacob to wrestle as Jacob’s on his way home to reconcile himself with his brother Esau, after making his fortune in the world… His two wives and two slave concubines and eleven children have already crossed the river and then this dude challenges Jacob to wrestle. They fight all night and in the end the only way the stranger can win is by kneeing Jacob in the groin, well, top of the thigh. When they finally introduce themselves, the stranger doesn’t say who he is but tells Jacob that his name should no longer be Jacob, but Israel, ‘he who has struggled with God’. – The theologians have an interpretation about this story representing humankind’s conflicted relationship with the deity, but I found it pretty unsatisfying, thin on motivation.
Nonetheless it presented an interesting compositional challenge: how to depict a wrestling moment where one party has the other by the neck (this is in the book’s title) but neither is obviously winning. And it couldn’t look gay, as I’m assuming that teenage boys are still one of the most gigglingly homophobic groups of people in existence, and the Youth Centre does want them involved too. And it couldn’t just be a mess of limbs writhing on the ground. Many historical paintings of this scene show a pretty boring Graeco-Roman stance with the angel and Jacob grabbing each other by the shoulders, although Gauguin´s angel in “Vision after the Sermon” has Jacob in a headlock. I wanted something with verve and action. A few hours of wrestling videos later (Finnish Olympic wrestling; aikido vs jiujitsu; Californians doing Brazilian jujitsu) I settled for a kind of theolgical MMA: the angel has Jacob in a Brazilian vale-tudo headlock, but Jacob is countering with a vingativa from capoeira.
This, in turn, reminded me of the capoeira song “Foi no clarao da lua“, a showoff song crowing about how capoeira won over jujitsu in a moonlit bout, and goes into the details of the moves used: “No vale-tudo con jujitsu… a capoeira venceu!”.
In honour of the US American Thanksgiving holiday coming up, here’s a sketch of turkeys! And the small boy who was chasing them gleefully.
These two black turkeys came high-stepping down the path like they owned the place. They were not much smaller than the smallest kids playing football on the path, and for a minute I was worried about how the beak vs cheek contact would go. But the Southside Team goalie stepped up and chased the turkeys back the way they’d come with an exuberant series of sideways leaps, as if he was swinging on invisible lianas or vaulting invisible fences. At one point he did go splat on the ground but the turkeys looked at him indignantly and beat a dignified retreat.
Turkeys are called guajolotes in Mexico and are one of the few animals to have been domesticated in Mesoamerica. Provecho!
Soon you need to send out electronic Christmas/holiday cards to your stakeholders. How about a personalised one from Development Cartoons? I can make a lovely watercolour or cheeky vector graphic customised for YOU. The card can jog memories of important milestones (plus falling snow), celebrate good achievements (by serene candlelight), express you vision & mission (plus reindeer)…Your people will remember your organisation best if you make them smile!
I made some colouring-in pictures for Viole, 5… Witches! Referencing the fine Finnish tradition of ‘Easter witches’ and the previous day’s magic cauldron games. However, looks like I overestimated her desire to fill in little details in different colours.
I want to paint my house walls like these people in Hazaribagh village in India! Elephants! Giant lizards! Flowers, even in the store room! Big thanks to photographer Deidi von Schaeven for the photos. If you’re in London, head to the Brunei Gallery at Soas to see the expo, and tell me what it was like.
All We Can gathered the participants’ learning and commitments from their partnership conference using a method called cascading, or the snowball, or, we decided, the River. In this exercise, people think individually at first and then gather in increasingly large groups to select the best contributions. At the end, about ten peoples’ thoughts have been distilled into ten points. I drew the process explanation diagram and also the final result… Here’s the resulting poster, drawn live in the session!
The All We Can partnership conference involved a field trip to two of their Ethiopian partner organsations. I went to ADHENO’s project where they’ve spent twelve years developing conservation agriculture and reforestation. We saw beekeeping, the fuel-efficient stove workshop and the church where the project began. A great day with great people.